Bappa provides platform for Pune's trans community members
By Manu Shrivastava
In a groundbreaking initiative that fuses tradition with a powerful statement of inclusivity, members of Pune’s LGBTQ+ community have united to form a dhol tasha pathak, shattering barriers and challenging societal norms. Named 'Shikhandi' in tribute to the mythological figure from the Mahabharata—a transgender warrior who played a pivotal role on the side of the Pandavas in the epic Kurukshetra war—this group is more than just a musical ensemble. It stands as a symbol of resilience, marking the first pathak in Maharashtra formed entirely by LGBTQ+ individuals.
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| Shikhandi Dhol Tasha Pathak is not merely a group of musicians; it is a movement |
The inception of this pathak can be credited to Kadambari Shaikh, who envisioned a space where the community could come together and celebrate their identity through the vibrant beats of dhol tasha. What began as a collective intended exclusively for transgender individuals soon expanded to include the broader LGBTQ+ spectrum, reflecting the community's ongoing struggle for recognition and equality. Under the expert guidance of Nadbrahma, one of Pune’s most respected dhol tasha pathaks, the Shikhandi team has been diligently practicing, preparing to perform across various Ganapati mandals throughout the city during the festival's ten-day duration.
Starting with just 30 members, the pathak has grown into a formidable force, ready to make its mark during the festivities. Despite facing significant challenges—including a lack of funding for instruments and the physical demands of playing the dhol tasha—the group has demonstrated remarkable perseverance. Nadbrahma played a crucial role in their journey by providing instruments and offering necessary training, underscoring the power of solidarity within communities.
The pathak's journey hasn’t been without its struggles. Initially, securing bookings from Ganesh mandals proved difficult, but their determination paid off as more and more mandals began to invite them to perform. Their packed schedule is a testament to their hard work and resilience, with their first major performance scheduled at the prestigious Bhau Rangari Ganpati Mandal.
Each member of the pathak brings a unique story of struggle and triumph. For instance, one, who previously faced rejection from other dhol tasha groups, found in Shikhandi a platform where she could belong and thrive. This rejection only fueled her resolve to create a space where others like her could come together and showcase their talents without fear of exclusion.
Another, a transwoman, highlighted the unique challenges faced by those who have undergone gender transition. The physical demands of playing the dhol tasha are considerable, particularly for those whose bodies have undergone such profound changes. Nevertheless, the group has faced these challenges head-on, embodying the resilience that defines their pathak. Although some members, due to physical constraints, can only practice for limited periods, their dedication remains unwavering.
Shikhandi Dhol Tasha Pathak is not merely a group of musicians; it is a movement. The pathak boldly asserts that the LGBTQ+ community will no longer be confined to the margins, that they too can participate in and lay claim to the cultural traditions that shape society. As the rhythmic beats of their dhols and tashas echo through the streets of Pune during the Ganapati festival, they will resonate not only in the ears of those who hear them but in the hearts and minds of a society witnessing this transformative performance. Armed with their own instruments, the pathak is poised to march forward, proving that they can achieve everything others can—and more.
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